Contact David Mceown

Many thanks for visiting my web site. We are often on assignment  or on a painting trip but will try to reply to your messages as soon as possible!

Studio visits also  may be arranged in Vancouver and Richmond Hill - Ontario,  Canada through out the year. I  look forward to hear from you.

 

 

         

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Recent/Blog

News and blog posts about recent works, workshops, events, presentations, expeditions and exhibitions by Canadian artist David McEown.

Filtering by Tag: large watercolor

Pacific Spirit Forest Series

David McEown

Spring in the Pacific Spirit Forest

Spring in the Pacific Spirit Forest

One body of work that is evolving over the last few years is a series of large watercolours depicting the subtle seasonal changes in the temperate rainforest of Pacific Spirit Regional Park. These large works are done on 140lb Arches roll paper in which I can cut large format sheets, and have room to interpret the experiences inspired from daily walks in my “back yard”.

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Pacific Spirit Regional Park

David McEown

Autumn in the Pacific Spirit Forest, 26in x46in. watercolour

Autumn in the Pacific Spirit Forest, 26in x46in. watercolour

The Pacific Spirit Regional Park, which adjoins my backyard in Vancouver, provides countless inspiration for new paintings.  In October, the Big Leaf Maples of this forest decorate the hemlock and sweet fir moss-draped understory.

Artist Journeys Blog Archives

Lake Superior Paintings

David McEown

The painting is one of a few recent large commissions inspired by Lake Superior’s coastal trail in autumn. The complexity and technical challenges are exciting to take on and are sometimes over the top!

This 26 by 62 inch watercolour was painted on 140lb Arches cold press that comes on a roll of 44 inches by 10 yards.  Cutting off the roll allows custom sizes in which in the past I have done watercolours up to 72 by 176 inches.  Not cheap, but when framed with non-reflective UV90 museum glass the results can be wonderfully rare and transcendent.

Coastal Trail, Lake Superior
Coastal Trail, Lake Superior

Often large works have some sort of plan going, and being a studio piece photo reference is used. However I like to leave room for  the image to evolve and use memory and imagination, thus I do not pre draw to much. When it comes to rocks, each one is a portrait interrelated to another by wear and reflection if wet, so they have to be well seen to be believable. I love the natural spirals and inner rhythms of a boulder beach. Even though it is a representational painting I basically just paint a dance of light and dark coloured shapes that grow and interlock with each other that hopefully create a hierarchy of entertaining focal points that sing a reverent song of place throughout the illusion of space.

Gichigami
Gichigami
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