Contact David Mceown

Many thanks for visiting my web site. We are often on assignment  or on a painting trip but will try to reply to your messages as soon as possible!

Studio visits also  may be arranged in Vancouver and Richmond Hill - Ontario,  Canada through out the year. I  look forward to hear from you.

 

 

         

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Recent/Blog

News and blog posts about recent works, workshops, events, presentations, expeditions and exhibitions by Canadian artist David McEown.

Filtering by Category: Watercolour

Denali, Watercolours from Alaska

David McEown

Denali Sunrise
Denali Sunrise

In early September, autumn is well on its way in Denali National Park, Alaska.  While hoping to capture a glimpse of Denali, North America's highest mountain, i focused painting on site trying to capture the mountain light and weather played out on the multi-hued tundra. The following 3 minute video highlights the painting process.

The main base to work from was at the Wonder Lake Campground where one is dropped off by park bus as there are no cars permitted in the Park.  However, for a different view and excellent food, rest, and knowledgeable guides, we also stayed at the beautiful Camp Denali for 3 nights.

"Denali #2" 12 in. x 22 in. watercolour
"Denali #2" 12 in. x 22 in. watercolour
Painting Mirror Lake
Painting Mirror Lake
Denali, North Face
Denali, North Face

Lake Superior Paintings

David McEown

The painting is one of a few recent large commissions inspired by Lake Superior’s coastal trail in autumn. The complexity and technical challenges are exciting to take on and are sometimes over the top!

This 26 by 62 inch watercolour was painted on 140lb Arches cold press that comes on a roll of 44 inches by 10 yards.  Cutting off the roll allows custom sizes in which in the past I have done watercolours up to 72 by 176 inches.  Not cheap, but when framed with non-reflective UV90 museum glass the results can be wonderfully rare and transcendent.

Coastal Trail, Lake Superior
Coastal Trail, Lake Superior

Often large works have some sort of plan going, and being a studio piece photo reference is used. However I like to leave room for  the image to evolve and use memory and imagination, thus I do not pre draw to much. When it comes to rocks, each one is a portrait interrelated to another by wear and reflection if wet, so they have to be well seen to be believable. I love the natural spirals and inner rhythms of a boulder beach. Even though it is a representational painting I basically just paint a dance of light and dark coloured shapes that grow and interlock with each other that hopefully create a hierarchy of entertaining focal points that sing a reverent song of place throughout the illusion of space.

Gichigami
Gichigami