Contact David Mceown

Many thanks for visiting my web site. We are often on assignment  or on a painting trip but will try to reply to your messages as soon as possible!

Studio visits also  may be arranged in Vancouver and Richmond Hill - Ontario,  Canada through out the year. I  look forward to hear from you.

 

 

         

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Recent/Blog

News and blog posts about recent works, workshops, events, presentations, expeditions and exhibitions by Canadian artist David McEown.

Filtering by Category: Landscape painting

Antarctic Peninsula

David McEown

Sometimes a question is asked at my presentations, why do you paint on location? Why not just take a picture? The act of painting and observing on location for me is a meditation, a way of connecting with the moment and being fully present and aware of "place". Taking in the coloured shapes and inhale them through the body, feel it in the heart and transfer them through the hand, brush and paper. Often good painting is accumulations of this state of attention, a collage of many of the experiences that have happened. Through out a session I am also inspired to take photos and I find that by being still and in one spot often provide great opportunities for close wildlife encounters. I love to watch the tides and currents at play with the ice floes, creating endless compositional dances lit with unearthly Antarctic light. It is here the camera is really handy at capturing those incredible never to be repeated moments.  Thanks again to One Ocean Expeditions for taking us there and we really look forward to do it again later this year!

Painting from the lookout above Neko Harbour.
Painting from the lookout above Neko Harbour.
"Lemaire Channel Sunset"  7in x15in watercolour
"Lemaire Channel Sunset" 7in x15in watercolour

Remembrance, a journey outward and within.

David McEown

David McEown, cspwc flag, Auster Emperor penguin  Rookery , Antarctica
David McEown, cspwc flag, Auster Emperor penguin Rookery , Antarctica

I am currently in Toronto preparing and warming up my brushes for upcoming Antarctica trips.  It is the time of year to look back and pay homage to many who have inspired and opened paths for a creative life.  Just a few days ago we heard of the passing of the great teacher, artist and friend, Doris McCarthy at the age of 100 years old. She was one of few living links to a time when Canadian art was defining itself. The first time I met her,  I was a starving artist having a solo show in some obscure medical building with many flights of stairs that she just flew up (in her eighties) eager to stay in tune with what was new , she was just so encouraging of my crazy over sized watercolours yet being so humble about her own art. Over the years I would see her at several Canadian Society of Painters in Watercolour events. She was the CSPWC’s president twice decades ago and was a champion of the medium, one that she used to paint on site to the far reaches of the planet. Last time I saw her, was during an invite for dinner and wine at her home a few years ago. We sat on her couch surrounded by a treasure of artwork and a nice fire in the fireplace. We looked at a recent slide show I had from Antarctica on the laptop, and joked about those smelly penguins. The images just took us back to the place of huge icebergs and fantastic abstractions evoked by the pack ice. She also noticed a few “bad” paintings and let me know when my colour was a bit garish! I could get a sense of sadness that she still longed to go back but the body was not willing. Many will miss her.

Doris McCarthy and David McEown at cspwc AGM 2003
Doris McCarthy and David McEown at cspwc AGM 2003

On November 11 the Canadian Society of Painters in Watercolour celebrated its birthday in the Historic Arts and Letters Club. Eighty five years ago to that date several prominent artists including members of the group of seven came together in this building and proposed the idea of a society celebrating the watercolour medium. Some of Canada’s best artists were a member at one time or another and now the C.S.P.W.C   has grown as a truly national society, not a small feat in a country the size of Canada. I am not a club guy,  but what I like is that I have driven from Newfoundland to the Yukon and have met and visited artists studios and there is always a common humbleness created by that ever challenging medium, maybe also a shared interest in transparency and “light from within”.  A few years ago, the now current president Peter Marsh and I were talking about my crazy upcoming painting trips , and that it would be fun to make a flagand take it to the North Pole. Now it’s been with several artists and several places around the globe. Lots of  fun!

David McEown with CSPWC flag at the North Pole via Russian Nuclear Icebreaker, Yamal, 2007
David McEown with CSPWC flag at the North Pole via Russian Nuclear Icebreaker, Yamal, 2007

Painting can be a journey to the ends of the earth or deep within ones consciousness. That is true with one of my teachers John Inglis who was chairman of fine arts at the Ontario College of Art and Design and continues to produce wonderful work. It was a delight to receive a copy of his new book this month, “In Quest for Countenance, a search for meaning in a world in transition”. I love his visionary watercolours that illustrate a transpersonal quest for meaning in a world of radical change. A wonderful weave of inner, outer, and body, mind and spirit. Thanks for the inspiration John!

Boreal Memory
Boreal Memory

Speaking of weaving, today I honour my mother who passed away 2 years ago today after a difficult illness at a all to young age of 62. Priscilla was an adventurer, traveler and super talented artist who loved to work in fabric. As a professional dietician she worked hard at her quilts after work and continued to find liberation in them during illness. I have so many fine pieces of hers and hope arrange a show someday. I am always open to suggestions on how to best honour that body of work. Her mantra was to do things while you can and never pass up a chance to go for a hike in the woods or in the mountains.

“The works of humanity cannot compare to the works of nature.  As a self-taught quilt artist, one of my goals has been to pay homage to the natural environment in which we dwell.  As I walk the forest trails or contemplate the reflections in a mountain stream there is a powerful sense of being connected to something greater than ourselves.  I hope to instill in each piece of work my own emotional reactions, my sense of awe and wonderment, of excitement or peacefulness and, not least, of unity with this habitat.  I remain open to new ways of seeing and expressing and have recently experimented with a degree of abstraction in some of my landscape work. Priscilla”

Summer Flow
Summer Flow